We hunt for great stories — wherever they’re hiding

Wild Spaniel Films specialises in script development & script editing— helping emerging writers turn early ideas, messy drafts and half‑formed concepts into strong, industry‑ready projects with real personality.

What We Do

At Wild Spaniel, we believe a great story can come from anywhere — a local theatre, a writing scheme, a short film, or even the first spark of an idea you’re still shaping. That’s why we’re always open to conversations with emerging writers.

Maybe you’ve built some early momentum but aren’t sure what the next step looks like. Maybe you’ve got a brilliant voice but no clear route into the industry. That’s exactly where Wild Spaniel can help.

With experience developing and nurturing new talent, we understand how hard it is to make progress without already having it. It’s a maddening cycle — and we’re here to break it.

At Wild Spaniel, we work with writers to develop ideas, sharpen pitches and build projects that can genuinely be taken to established indies. We hone in on distinctive voices and strong concepts, helping shape them into industry‑ready packages that companies might not otherwise have the time or capacity to explore.

Our aim is simple: to champion emerging talent and create practical, achievable pathways that help writers move forward — all the way to delivering pitch‑ready material that stands up in the industry.

A black and white illustration of a dog with a large stick in its mouth on a yellow background, with the text "WILD SPANEL FILMS" beneath it.

Click here →

Why us?

Wild Spaniel Films brings a blend of editorial craft, production experience and industry insight shaped by years working across UK scripted television and commercial content. We’ve worked with organisations such as BBC, ITV, Channel 4, BAFTA, Federation Stories, Big Light Productions and Eleventh Hour Films, supporting projects with clear story thinking, practical development guidance and grounded creative execution.

We’ve contributed to a wide range of shows — including Coronation Street, Waterloo Road, Holby City, River City, Half‑Man, Granite Harbour, Only Child, Dinosaur, The Ridge, The Fall of Sir Douglas Weatherford and Bad Sisters. These experiences have shaped a deep understanding of what makes a script work, how to build character, and how to deliver story under real production pressures.

We also bring a modern skillset to our commercial work. With experience in AI‑supported workflows, vertical content, and leading digital development on upcoming series, we understand how stories need to adapt for new formats, platforms and audiences. And with strong commissioning contacts across the UK and relationships with indies nationwide, we know how projects move — and how to shape material that feels industry‑ready.

Together, this means we offer clients a rare combination: clear editorial judgement, practical production knowledge, and a calm, collaborative approach that helps projects move forward with confidence.

A motorcycle license plate with the name 'ALEX RIDER' and a handwritten note saying 'I survived ALEX RIDER S2'.
Nameplate on desk identifying Callum Ward as scripted commissioning coordinator for BBC Scotland, with colorful cartoon dinosaur and landscape illustrations.

We can help with:

Ready for Action?

Schedule a quick call and let’s have a chat about how we can turn your ideas into realities

A person sitting on a chair on a dark stage, being filmed or photographed, with the camera's display showing a smiling woman with blonde hair.
A young man with blond hair looking through a camera viewfinder and holding the camera with both hands, winking with one eye closed.

Let’s Talk About Your Ideas

Have an idea or question? Send us a quick note and we’ll figure it out together.